Showing posts with label Jimmy Hamilton. Show all posts
Showing posts with label Jimmy Hamilton. Show all posts

09-20: Sibelius 1 2 5 7 Barbirolli - Link 80 Killing Katie 1997 - Ben Webster Ballads 1955 - Gilles Binchois / Discantus 2009 - Sarasate Zigeunerweisen Heifetz 1937



1460 – Gilles Binchois (Franco-Flemish composer)
1590 – Lodovico Agostini (Italian composer, singer, priest & scholar)
1630 – Claudio Saracini (Italian composer, lutenist & singer)
1648 – Ivan Lukačić (Croatian-born composer & church musician, active in Italy)
1896 – Johan Gottfried Conradi (Norwegian conductor & composer)
1897 – Karel Bendl (Czech composer & conductor)
1908 – Pablo de Sarasate (Spanish violinist & composer)
1957 – Jean Sibelius (Finnish composer)
1957 – Heino Kaski (Finnish composer & pianist)
1960 – Michel Brusselmans (Belgian soundtrack composer)
1967 – Henri Mulet (French organist & composer)
1968 – Frank Pelleg (Czech-born Israeli harpsichordist, pianist, conductor, composer & teacher)
1973 – Ben Webster (American jazz tenor saxophonist & pianist)
1973 – Jim Croce (American singer-songwriter & guitarist)
1974 – Robert Herberigs (Belgian composer)
1984 – Steve Goodman (American folk singer-songwriter, "City of New Orleans")
1994 – Jule Styne (English-born American Broadway composer & pianist)
1994 – Jimmy Hamilton (American jazz clarinetist, tenor saxophonist, arranger, composer & teacher)
1996 – Paul Weston (American pop pianist, arranger, composer & conductor)
1997 – Nick Traina (American punk/ska singer, Link 80, son of Danielle Steel)
2006 – Armin Jordan (Swiss conductor)
2006 – John W. Peterson (American composer of hymns & cantatas)
2010 – Leonard Skinner (American high school gym teacher, namesake of Lynyrd Skynyrd)


Some great favorites here. Both Gilles Binchois and Ben Webster were one of the Big Three in their day. "Wha??" you say? That's right... Binchois, considered by some the finest melodist of the 15th century, was one of the most prominent members of the Burgundian School, along with Guillaume Dufay and John Dunstable - composers who served the court of Burgundy and represented the first generation of composers we think of as "Renaissance." And Ben Webster was one of the three greatest tenor sax players to come out of the swing era, along with Coleman Hawkins and Lester Young.

They called Webster "The Brute" or "Frog" because of the rough, raspy tone he used on rhythm tunes - although his sound became sweetly coy and sentimental on ballads. In fact, it's safe to say that with Ben Webster, we get a greater timbral variety, from wispy, breathy warbles to petulant growls, than we do with just about any other sax player in jazz. And look, there's reedman Jimmy Hamilton on the list, too! Both Webster and Hamilton were alumni of Duke Ellington's great orchestra in the 30s & 40s... Hamilton stayed on with Ellington for decades longer, but Webster had a falling-out with the Duke (in which he apparently cut up one of Ellington's suits - ouch!) and went off on his own in 1943. Webster would go on to do his best work in the 50s, perhaps most notably on Soulville from 1957, considered to be the very first soul jazz album in the history of jazz... and, soul.

The real bigwig on the list, however, is the national composer of Finland, Jean Sibelius. It must suck to be any Finnish composer coming after Sibelius - always being compared to this musical giant who had such an idiosyncratic artistic voice. And boy, it must have really sucked to be poor Heino Kaski... a much lesser-known Finnish composer, pooping on the same day as Sibelius. Sibelius, who for many years was widely performed little elsewhere than in the Nordic countries and Britain, is known primarily for his seven symphonies, his violin concerto, and his many symphonic poems based on Finnish lore and legend. He's also known as one of the last of the great late Romantic composers, who somewhat like Richard Strauss lived into the mid-20th century as a symbol of a bygone era as several fads of modernism came and went. Unlike Strauss, Sibelius decided he'd said all he wanted to by the late 1920s, and committed hardly a note to music paper for the last 30 years of his life, preferring instead to focus his energies on fostering interest in performances and recordings of his existing body of works. See you on the other side of the early retirement...


09-18: Jimi Hendrix : Stockholm 1967 | Albert Hall Soundcheck 1969 - Kagel Heterophonie Gielen 1968 - Jimmy Witherspoon Singin' the Blues 1958 - Ekatarina Velika : Radio Belgrade live 1991



1831 – Peter Hänsel (German-Austrian violinist & composer of chamber music)
1857 – Karol Kurpiński (Polish composer, conductor & teacher)
1903 – Sydir Vorobkevych [Isidor Vorobchievici] (Ukrainian composer, writer, priest, teacher, artist & newspaper editor)
1903 – Theodor Kirchner (German composer & pianist)
1918 – Ernest Farrar (English composer, pianist & organist)
1929 – Hermann Graedener (German composer, conductor & teacher, active in Austria)
1941 – Fred Karno (British comedian & music hall impresario, inventor of "pie in the face" gag)

1952 – Frances Alda (New Zealand-born Australian operatic soprano)
1969 – Rudolf Wagner-Régeny (Hungarian-born German composer, conductor & pianist)
1970 – Jimi Hendrix (American rock guitarist, singer & songwriter)
1997 – Jimmy Witherspoon (American blues & R&B singer)
1998 – Charlie Foxx (American R&B & soul guitarist & singer, duo with sister Inez)
2002 – Margita Stefanović (Yugoslav-Serbian rock keyboardist, Ekatarina Velika

2007 – Pepsi Tate (Welsh metal bass guitarist, Tigertailz)
2008 – Mauricio Kagel (Argentine-German composer)


Do you really need for me to say something about Jimi Hendrix? Well, let's see... he was the greatest guitarist in rock history. I guess that about covers it.

Well, it's the third anniversary of the passing of Mauricio Kagel, who'd been one of the last surviving internationally important composers to arise out of the European avant garde just after the end of WWII (Pierre Boulez is just about the only one left now). Kagel had a unique musical voice, a playful one which incorporated elements of performance art and a sense of humor that was never very far below the surface. He worked in several different media over the course of his very productive career, including film (e.g., Ludwig van (1970), a critical examination of the uses of Beethoven's music, made during the bicentenary of his birth), and many of his musical compositions have yet to be recorded, and/or have been performed only on very rare occasions. His love for absurdism is perhaps best appreciated in Staatstheater (1971), a work he described as a "ballet for non-dancers," but which is really more like an opera. The percussion battery for the work includes chamber pots and enema equipment. His great interest in the music of other time periods and other cultures is demonstrated in works like Exotica (1972) for 6 singing instruments with 10 or more non-European instruments, the Musik für Renaissance-Instrumente (1966), and sundry chamber works for unusual groups of instruments, such as accordions and zithers.

Others I wish I could say a few words about. Like great jump-blues shouter Jimmy Witherspoon. And Ukrainian composer Сидір Іванович Воробкевич, another one of those somewhat sickening jacks-of-all-trades who makes the rest of us look bad. And Karol Kurpiński, considered Poland's greatest composer before Chopin came along. And Ekatarina Velika, another one of those bands that's not been on the radar screen at all for an ugly American like me, since they had the audacity to be from Eastern Europe, instead of North America or Britain like most reasonable bands come from. Yes, I'd love to say more, but there's still way too much catching up to do. So, in the immortal words of Marty DiBergi, "Enough of my yakkin'. Let's boogie!"