Showing posts with label Artur Rodzinski. Show all posts
Showing posts with label Artur Rodzinski. Show all posts

11-27a: RODZINSKI / REEDER ROUNDUP! Mussorgsky | Tchaikovsky | Sibelius | Richard Strauss | Shostakovich AND MORE...





The main post for 11-27 will follow, but first here are a bunch of transfers of Columbia 78s featuring the work of Artur Rodziński (d. Nov. 27, 1958), all made by the trusty F. Reeder over at the Internet Archive. A few of these I believe we've seen already, but at least a couple dozen we haven't, and I found it too difficult to choose from them... so I'll leave that up to you!

Rodziński is most famous for his legendary decade with the Cleveland Orchestra, from 1933 to 1943. Much of the credit usually given to the tyrannical George Szell for transforming that orchestra into the world-class organization it is today should really be reserved for Rodziński; for without the prior groundwork he laid the Clevelanders would not have been up to Szell's exacting demands. Rodziński also had four great seasons in New York with the Philharmonic, and as guest conductor for Toscanini's NBC Symphony, which Rodziński had helped to organize in 1936–37.

Rodziński's later years, first in New York, and then in an abortive stint at the Chicago Symphony in 1947–48, were characterized by a lot of personal wrangling with orchestra management. His reputation as a conductor was such that his resignation from the New York Philharmonic was actually a cover story for Time magazine in February 1947:


After Chicago, Rodziński had no further long-term positions in his career; he did do quite a bit of freelance work, especially in the opera pit, both in the United States and in Europe. And it's perhaps because of this somewhat sour end to his professional life that he isn't remembered as well as some of his contemporaries, even though he was certainly at least their equal as a musician.

He was tall; he used a big baton; he preferred brisk tempi; he was renowned wherever he mounted the podium for his muscular yet refined interpretations. Enjoy these recordings by this too-little-lauded master of the orchestra!


10-29b: Shadow Gallery : Tyranny 1998 - Prokofiev War and Peace : Corelli / Rodzinski 1953



2003 – Franco Corelli (Italian spinto & dramatic tenor)
2008 – Mike Baker (American progressive metal singer, Shadow Gallery)


Well, it's the last day of a long weekend. You've got your Prok, and you've got your Prog. What more do you need?


STOKOWSKI SPECIAL !! | 36 tracks, 222 minutes! | Acoustic, Electric & Stereo recordings 1917-1975


"Leo-pold !!"
 I'm really only posting this because I'm hoping it will keep me from running out of label space for the next post! But I hope you enjoy this sampler of the remarkable and sometimes controversial but never boring and very creative Leopold Stokowski. It is the work of... many hands, shall we say? It's going up now...! In it, you'll hear him conducting:

The Philadelphia Symphony Orchestra
The Philadelphia Orchestra
The RCA Victor Symphony Orchestra
The Hollywood Bowl* Symphony Orchestra

The NBC Symphony Orchestra
The New Philharmonia Orchestra
The Symphony of the Air
and The All-American Symphony Orchestra


* the venue in which he's depicted above, in Warner Bros.' Long-Haired Hare (1948):

playing works by... those among The Dead and Dying... including Emmanuel Chabrier (who is also on the list with Leopold), and

~~~~~~~  ROMÂN  ~~~~~~~

compozitor George Enescu! And others I still didn't have room for in just this post's labels... such as Felix Mendelssohn Bartholdy, and Camille Saint-Saëns, and Alexander Glazunov, and Antonín Dvořák, and and Mikhail Mikhailovich Ippolitov-Ivanov.  Crap, that last guy's practically your whole label limit right there.