Showing posts with label Dmitri Shostakovich. Show all posts
Showing posts with label Dmitri Shostakovich. Show all posts

11-27a: RODZINSKI / REEDER ROUNDUP! Mussorgsky | Tchaikovsky | Sibelius | Richard Strauss | Shostakovich AND MORE...





The main post for 11-27 will follow, but first here are a bunch of transfers of Columbia 78s featuring the work of Artur Rodziński (d. Nov. 27, 1958), all made by the trusty F. Reeder over at the Internet Archive. A few of these I believe we've seen already, but at least a couple dozen we haven't, and I found it too difficult to choose from them... so I'll leave that up to you!

Rodziński is most famous for his legendary decade with the Cleveland Orchestra, from 1933 to 1943. Much of the credit usually given to the tyrannical George Szell for transforming that orchestra into the world-class organization it is today should really be reserved for Rodziński; for without the prior groundwork he laid the Clevelanders would not have been up to Szell's exacting demands. Rodziński also had four great seasons in New York with the Philharmonic, and as guest conductor for Toscanini's NBC Symphony, which Rodziński had helped to organize in 1936–37.

Rodziński's later years, first in New York, and then in an abortive stint at the Chicago Symphony in 1947–48, were characterized by a lot of personal wrangling with orchestra management. His reputation as a conductor was such that his resignation from the New York Philharmonic was actually a cover story for Time magazine in February 1947:


After Chicago, Rodziński had no further long-term positions in his career; he did do quite a bit of freelance work, especially in the opera pit, both in the United States and in Europe. And it's perhaps because of this somewhat sour end to his professional life that he isn't remembered as well as some of his contemporaries, even though he was certainly at least their equal as a musician.

He was tall; he used a big baton; he preferred brisk tempi; he was renowned wherever he mounted the podium for his muscular yet refined interpretations. Enjoy these recordings by this too-little-lauded master of the orchestra!


11-17b: Can : Tago Mago 1971 40th Anniversary Remaster - Leonid Kogan : Shostakovich Concerto 1960 | Vainberg Concerto 1961 - A Proper Introduction to Ruth Brown 2004



1982 – Leonid Kogan [Леонід Коган] (Ukrainian violinist)
1990 – Peter Schilperoort (Dutch jazz multi-instrumentalist, Dutch Swing College Band)
1995 – Alan Hull (English folk-rock singer, songwriter & guitarist, Lindisfarne)
2001 – Michael Karoli (German avant-garde rock guitarist, violinist & composer, Can)
2003 – Arthur Conley (American soul singer)
2003 – Don Gibson (American country singer & guitarist)
2006 – Ruth Brown (American blues & R&B singer)
2006 – Flo Sandon's (Italian pop singer)


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10-24c: Carl Ruggles Complete / Tilson Thomas 1980 - Oistrakh : Khachaturian | Sibelius Concertos 1965 - Oistrakh / Richter : Shostakovich | Franck Sonatas 1969



1971 – Fernand Quinet (Belgian composer & conductor)
1971 – Carl Ruggles (American composer, conductor, violinist, teacher & painter)
1974 – David Oistrakh [Дави́д О́йстрах] (Ukrainian violinist & conductor)
1976 – Richard Sturzenegger (Swiss composer & cellist)
2005 – Joy Clements (American lyric coloratura soprano)
2007 – Petr Eben (Czech composer, organist & pianist)
2008 – Moshe Cotel (American composer & pianist)


Another THREE-parter today. Don't miss out on this part! One of the best presentations (by MTT, who's always so good at such repertoire) of the complete (and very few) works of Carl Ruggles, that great but loquacious American modernist of the early-to-mid 20th century. And some of the finest recordings made by David Oistrakh, one of the greatest violinists of the 20th century, a great bulldog of a player with an enormous tone and technique and hot-blooded form of expression.

Well, there was a write-up! I'll leave it to you to find out more about Moshe Kotel, and his owner, Ketzel the composing cat...